2022-2023学年山东省烟台市考研外语测试卷一含答案.docx

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1、2023-2023学年山东省烟台市考研外语测试卷一（含答案）学校:班级:姓名:考号:一、2.ReadingComprehension(10题)1 .(45)2 .Towhichofthefo11owingisauthor1ike1ytoagree?A.Itistimetoi11ustratesomepopu1arfa11aciesaboutbuyingahome.B.Somepopu1arf1awedargumentsaboutbuyingahomeshou1dbemadeknowntothepub1icforthetimebeing.C.Peop1eshou1dbepunctua1inbus

2、inessdea1ingsofsharesandhousing.D.A1anGreenspanrSc1aimcanho1dwaterwithrespecttofa11acymemberthree.3 .Whatdoestheauthormeanbyturnitintoriches(Paragraph1)?A.Make1otsofprofits.B.Makethe1andmoreferti1e.C.He1ppoorpeop1ebecomericher.D.Tumthe1andintoanareaofgo1d.4 .Rochesters1egendgaveothersasurprisingturn

3、when.A.hewasdyingB.hegotsyphi1isC.heappearedinananti-rationa1stateD.hechangedhis1ife-sty1e5 .PartADirections:Readthefo11owingfourtexts.Answerthequestionsbe1oweachtextbychoosingA,B,CorD.(40points)Inthere1ationshipofeducationtobusinessWeobservetodayafinestateofparadox.Ontheonehand,theemphasiswhichmost

4、businessp1acesuponaco11egedegreeissogreatthatonecana1mostvisua1izethetimewheneventheofficeboywi11havehisbacca1aureate.Ontheotherhand,Weseemtopreservethebe1iefthatsomedeepinte11ectua1chasmseparatesthebusinessmanfromotherproductsoftheuniversitysystem.Thenotionthatbusinesspeop1earequitethePhi1istinesso

5、undsabsurd.Forsomereason,wetendtocharacterizevocationsbystereotypes,nonetoof1atteringbutnonethe1essdeep1yimbeddedinthenationa1conscience.Inthecastofcharactersthebusinessmancomesonstageasai11-manneredandsimp1e-mindedperson.Itisnotap1easantconceptionandnomoretruthfu1or1essunp1easantthanourotherstereot

6、ypes.Businessismadeupofpeop1ewitha11kindsofbackgrounds,a11kindsofmotivations,anda11kindsoftastes,justasinanyotherform,ofhumanendeavour.Businessmenarenotmobi1eba1ancesheetsandprofitstatements,butperfect1ynorma1humanbeings,subjecttowhateverstrengths,frai1ties,and1imitationscharacterizemanontheearth.Th

7、eyarepeop1egroupedtogetherinorganizationsdesignedtocomp1ementtheweaknessofonewithstrengthofanother,temperingtheexuberanceoftheyoungwiththecautionofthemoremature,thepoeticsoaringsofonemindwiththecountinghouserea1ismofanother.Anydisfigurementwhichsocietymaysufferwi11comefrommanhimse1f,notfromthepartic

8、u1arvocationtowhichhedevoteshistime.Anygroupofpeop1enecessari1yrepresentsanapproachtoacommonone,anditisprobab1ytruethatevenindividua11ytheytendtoconform,somewhattothegenera1pattern.Manyhavepointedoutthedangerofengu1fingourorigina1thinkersinatideofmediocrity.Conformityisnotanymorepreva1entoranymoreex

9、actinginthebusinessfie1dthanitisinanyother.Itisacharacteristicofa11organizationsofwhatevernature.Thefactisthe1argebusinessunitprovidesgreateropportunitiesforindividua1ityandrequires1essinthewayofconformitythanotherinstitutionsofcomparab1esize-thegovernment,ortheacademicwor1d,orcertain1ythemi1itary.T

10、heparadoxinthere1ationshipofeducationtobusinessisthatA.businessmenarebothunmindfu1ofhistoryandsophisticatedinit.B.businessmenshowbothcontemptandrespectfornob1eactivities.C.therearebothhigh1yinte11ectua1anduneducatedbusinessmen.D.therearebothnoticeab1esimi1aritiesanddifferencesbetweenbusinessmenandin

11、te11ectua1s.6 .PartADirections:Readthefo11owingfourtexts.Answerthequestionsbe1oweachtextbychoosingA,B,CorD.(40points)B1uesisagenreofAfro-Americanfo1kandpopu1arsong.Itisgenera11y12bars1ong,fa11ingintothreephrasesoffourbarseach(onephraseforeach1ineoftext).Themosttypica1chordpatternforthesephrasesisbas

12、edonthefirst,fourth,andfifthnotesofthesca1e:phrase1-III;phrase2-IVII;phrase3-VV(orV)II.Eachphraseofsungtextisnorma11yfo11owedbyinstrumenta1improvisation,creatingaca11-and-responsepattern.B1uesmusicusesasca1einwhichthethird,fifth,andseventhnotesarefree1y,bentormicrotona11yf1attenedincomparisonwiththe

13、standardmajorsca1e.B1uestendstodea1withthehardshipsof1ifeandthesadnessof1ove.B1uessinging,rootedinvariousformsofb1ackAmericans1avesong,waswidespreadinthesouthernU.S.bythe1ate19thcentury.,Archaicandcountry*b1uesdifferedwide1yintheir1yricandmusica1form;singerstypica11yaccompaniedthemse1vesonguitarorha

14、rmonica.1atersingersinthissty1e,inc1udeB1ind1emonJeffersonand1eadbe11y.In1912,withthepub1icationofMemphisB1uesnbyW.C.Handy,b1uesenteredtherangeofpopu1arsong.C1assic,cityb1uesevo1vedinthe1920sand1930sinthesingingofMaRainey,BessieSmith,theothers.1yricandmusica1formsbecame1arge1ystandardized,andsingers

15、oftenworkedwithjazzbandorpiano.Adaptedtoso1opiano,b1uesgaverisetoboogie-woogiepianop1aying.B1uesandjazzover1apped,sometimesa1mostindistinguishab1y,andb1ueswasconsideredanurturingform,forear1yjazz,butb1uesa1sodeve1opedindependent1y.Inthe1940ssingerssuchasT-BoneWa1kerand1ouisJordanperformedwithbigband

16、sorwithensemb1esbasedone1ectricguitar,acousticstringbass,drums,andsaxophones;thee1ectricorgana1socameintouseaboutthistime.After1950B.B.King,RayChar1es,andothersusedimprovede1ectricguitarsand1ouder,e1ectricbasses;brassinstrumentsoftenrep1acedsaxophones.Inthefourthsentenceinparagraphone,theca11-and-responsepatternreferstothepatterninwhichA.apersonca11sandanotherpersonrespondsB.onephraseofthesungtextrespondstoanother